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We are now grappling with "The Great Enshittification" (a term coined by Cory Doctorow), where platforms prioritize ad revenue over user health. The cure is uncertain, but it likely involves media literacy education—teaching children to deconstruct the way they learn to deconstruct a poem.
We are standing on the precipice of the next great shift: generative artificial intelligence. For the first time, can be created by machines, not humans.
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To understand the present, we must look at the past. For most of the 20th century, was siloed. You went to the cinema for movies, turned on the radio for music, and bought a physical book for a story. Popular media was a broadcast model: one source (Hollywood, a record label, a network) speaking to many.
The current entertainment landscape is defined by a shift from passive watching to active participating. In 2026, the industry is witnessing a "synthetic age" where AI and social creators are as central to popular media as major Hollywood studios. We are now grappling with "The Great Enshittification"
Popular media acts as both a mirror reflecting societal values and a hammer shaping them. The continuous consumption of entertainment content influences public discourse in several distinct ways:
But this abundance creates a paradox: the paradox of choice. When there are 500 shows available, viewers suffer from decision paralysis. They often end up rewatching "The Office" for the tenth time because it is a "comfort blanket." In response, algorithms have become the new gatekeepers.
The same algorithmic curation that provides personalized enjoyment can inadvertently restrict exposure to differing viewpoints. When audiences consume media tailored strictly to their existing preferences, it can reinforce biases and deepen polarization within broader society. Technological Disruption: AI and the Next Frontier For the first time, can be created by machines, not humans
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