This specific 2-second lick utilizes major, minor, and altered sounds simultaneously—a hallmark Henderson "cluster."
Tribal Tech’s sound is heavy on quartal harmony (chords built on fourths). Henderson’s single-note lines often leap in perfect fourths.
It was a sunny day in Los Angeles when I met Scott Henderson, the renowned jazz fusion guitarist. I had always been a huge fan of his work with Chick Corea, Jean-Luc Ponty, and his own group, Tribal Tech. As we sat down in his studio, I asked him about his approach to improvisation. scott henderson jazz fusion improvisation pdf work
with a companion PDF/booklet—focuses on demystifying "outside" playing by categorizing harmonic choices for common chord types. ScottHenderson.net Scale Application
If the PDF does not include rhythmic articulation (staccato dots, accent marks, legato slurs), it is likely a computer-generated transcription and misses the point entirely. Authentic Henderson PDF work will be messy, full of scratched-out fingerings, and written in felt-tip pen—because rhythm is physical, not mathematical. This specific 2-second lick utilizes major, minor, and
Scott Henderson's PDF work offers a rare glimpse into his playing style and techniques. This comprehensive document includes:
Henderson often combines this with his knowledge of jazz harmony. Instead of just moving diatonically, he might move a shape up chromatically to create tension (playing "out") before resolving. I had always been a huge fan of
Unlike traditional jazz guitarists who think modally (Dorian, Mixolydian), Henderson starts from the blues scale. In his PDF work, he demonstrates how to play a standard over complex changes like a Dm7-G7-Cmaj7 progression. The "wrong" notes (the D# against a G7 chord) become "blue notes."
