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Effective PR positions a film project across major entertainment outlets like the New York Times Arts section without the need for multi-million dollar ad buys.

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Internal communications and proactive damage control.

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Run weekly “promo drills” using real-time analytics. Show your team a clip of what’s underperforming and ask, “Rewrite the caption / reframe the hook in 30 seconds.” The best promoters are agile, not repetitive.

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