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Rich, expansive, and crisp, showcasing the 2011 production techniques, perfect for high-fidelity audio systems. Why This Album Matters
: A deeply moving rendition where the emotional weight relies heavily on the stark intimacy of the instrumentation. The FLAC format captures the resonance of the piano strings vibrating inside the wooden chassis.
While compressed audio formats like MP3 discard crucial audio data to reduce file size, FLAC (Free Lossless Audio Codec) compresses audio without losing any original data. For a vocal jazz album of this caliber, listening in FLAC is essential. 1. Vocal Texture and Micro-Dynamics
By 2011, Laura Fygi had already established herself globally as a premier jazz vocalist, known for her ability to sing in English, French, Spanish, Chinese, and Portuguese. After exploring various genres including bossa nova, chanson, and pop-jazz, The Best Is Yet To Come marked a glorious return to the classic American Songbook format, backed by the powerhouse energy of a big band.
However, the standout moment on the album—and arguably the reason it remains a staple in high-fidelity demo rooms—is her rendition of "That's Life." She reinvents the normally gritty, bluesy anthem into a sophisticated, upbeat bossa nova-influenced arrangement. It is a stroke of genius that only Fygi could pull off, proving that a song can be reimagined without losing its soul. Laura Fygi - The Best Is Yet To Come -FLAC- -2011-
The album was a passion project for Fygi, fulfilling a long-term desire to work with a big band format, a style that allows her to draw comparisons not just to her inspiration, Julie London, but to the feisty sophistication of Peggy Lee. Tracklist and Musical Direction
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Laura Fygi occupies a unique space in music. Born in Amsterdam to a Dutch father and an Egyptian mother, she rose to prominence in the 1980s with the girl group Centerfold before pivoting to a solo career defined by jazz standards and sophisticated pop. By 2011, she was already an icon in the Asian market (particularly in Japan and China) and a darling of the hi-fi community in Europe.
Released in 2011, marks the 20th anniversary of Laura Fygi's solo career and is her 12th studio album . It is notable for being her first ever recorded session with a big band , moving away from her typical small-ensemble jazz and pop settings. Album Overview Rich, expansive, and crisp, showcasing the 2011 production
FLAC, in contrast, is a "lossless" codec. When you compress a CD track to FLAC, you reduce the file size (similar to a ZIP file) but the decoding process returns the audio data bit-for-bit identical to the original source. No information is thrown away. For a listener, this means hearing the music exactly as the artist and engineers intended, with full frequency response, dynamic range, and the subtle nuances of the performance preserved.
Whether you are a lifelong fan of Laura Fygi or a jazz purist looking for an exceptionally recorded big band album, this 2011 masterpiece proves that when it comes to pristine audio quality and flawless vocal execution, the best is truly yet to come. To help find more music like this, let me know:
In the landscape of modern vocal jazz, few artists command the stage with the effortless elegance of Dutch songstress Laura Fygi. Released in 2011, her album The Best Is Yet To Come stands as a masterclass in vocal precision, sophisticated arranging, and timeless style. For audiophiles and music lovers who track down this specific release in Lossless Audio Codec (FLAC) format, the album transforms from a delightful collection of standards into an immersive, three-dimensional sonic experience.
In the FLAC format, the 2011 release offers a dynamic range that breathes. The stand-up bass doesn't just sound like a note; it sounds like wood and vibrating strings. The brushwork on the snare drum has texture. When Fygi sings the title track, a classic associated with Frank Sinatra, the lossless audio captures the air in the room and the subtle resonance of her vocal cords. For audiophiles, this album is often used as a "reference track" to test speaker quality—specifically the separation of mid-range frequencies where the human voice lives. While compressed audio formats like MP3 discard crucial
On slower tracks like “I’ve Got You Under My Skin,” she stretches phrases almost to the breaking point, trusting the silence between notes. This can be mesmerizing for listeners who value restraint, though fans of more aggressive jazz singing might find her approach too polished or “easy listening.” Still, within the context of this compilation, her consistency is a strength.
Recommended to test this specific FLAC file A biographical deep-dive into Laura Fygi's musical career
A poignant, uplifting rendition of the Chaplin classic.
A slow-building ballad that evolves into an impassioned vocal vamp. 💿 High-Fidelity Experience (FLAC)