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The first major artistic intervention came from Spike Lee, whose 2006 documentary When the Levees Broke: A Requiem in Four Acts stands as the moral and aesthetic benchmark. Lee rejected the fast-paced, decontextualized snippets of cable news. Instead, he offered a slow, agonizing accumulation of testimony, set to the mournful jazz of Terence Blanchard (a New Orleans native). The documentary reframed Katrina from a “natural disaster” to a man-made crime—a failure of engineering, social policy, and racial indifference. Hurricane Katrina, which devastated the Gulf Coast in
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