, have praised the album for its "spacious intensity" and for capturing the quartet's transition into more avant-garde territory just before they disbanded. specific version of this album, or perhaps more information on the overdubbing techniques used on the title track?
Though pieces of these sessions trickled out on late-70s compilations like The Mastery of John Coltrane, Vol. 1: Feelin' Good , the 1998 GRP/Impulse! CD release curated by legendary reissue producer finally united them into a coherent artistic statement.
Here’s a review for the release described as : john coltrane living space 1998 eacflac new
It ensures the digital file on the hard drive is a 100% bit-perfect match to the physical disc.
The album received strong critical praise upon its release. Pitchfork awarded the album a 9.0/10, stating that "From the vaults comes a gem so shiny that it'll blind you if you look directly into it". The AllMusic review highlights how the album "has the spacious intensity of Trane's latter-day compositions that jar, probe, and bend the horizontal and vertical dimensions of his earlier music". , have praised the album for its "spacious
For listeners in the late 90s, this was a "new" look at a legend, offering high-fidelity access to Coltrane’s experimentation with melody and prayer-like improvisation. Why Collectors Seek the FLAC/EAC Standard
Let’s break down the sonic geometry of Living Space , the technical superiority of the 1998 CD pressing, and why a "new" EAC-ripped FLAC is the only way to truly hear Trane’s architecture. 1: Feelin' Good , the 1998 GRP/Impulse
For nearly two decades, the Living Space catalog number, , has been a point of reference for the 'CD era' of Coltrane collecting. The CD release brought together five tracks that had been previously scattered on other compilations (such as The Mastery of John Coltrane, Vol. 1: Feelin' Good and the Kulu Sé Mama CD), and crucially included one previously unissued track: "The Last Blues".
John Coltrane — Tenor Saxophone, Soprano Saxophone McCoy Tyner — Piano Jimmy Garrison — Bass Elvin Jones — Drums
Though digital streaming services like Apple Music and Qobuz host the album today, pure audio collectors often prefer the specific sonic profile of the original 1998 MCA/GRP remaster.
Free Lossless Audio Codec (FLAC) compresses audio data without losing a single bit of information. While an MP3 discards high and low frequencies to save space, a FLAC file preserves the exact sonic architecture of the 1998 CD master. The Appeal of "New" / Unplayed Archives