| XTC Discography |
| Revision 5.83s (26 July 2025) |
This discography copyright © 1988-2025 by John Relph.
Contents:
- Summary
- A concise list of everything ever released.
- Recent Updates
![]()
- A short list of recent updates.
- Albums
- Regular XTC album releases.
- Singles and EPs
- Regular XTC singles and EPs.
- Collections, Retrospectives and More
- Collections of album and non-album tracks.
- Promotional Releases and Giveaways
- Radio station and record store stuff that collectors love.
- Interviews and Radio Shows
- For radio broadcast only.
- Unauthorized Releases
- Bootlegs, pirates, and counterfeits.
- The Dukes of Stratosphear
- The psychedelic alter-egos.
- Other Extracurricular and Solo Activity
- Solo works and releases in disguise with diamonds.
- Guest Appearances and Collaborations with Other Artists
- From cameos to co-writing.
- Compilations of Various Artists
- XTC: one-hit wonders.
- Rumoured and Future Releases
- I can neither confirm nor deny.
- The Fine Print
- Copyright and key to abbreviations.
This discography compiled, edited, and formatted by John Relph. Much information has come from the wonderful Wonderland XTC discography compiled by Shigemasa Fujimoto (Thanks!). Some information was also found in and/or verified by Brad Nelson's (Bremerton, Washington) XTC Discography.
I am indebted to the maintainers of these other discographies for additional information:
Dave Gregory (Mark Strijbos and Debie Edmonds)
The Big Dish (Simon Young)
Clark Datchler (John Berge)
Louis Philippe (Mr. Sunshine)
Dr. Demento (Jeff Morris)
Hüsker Dü (Paul Hilcoff)
Discogs (you and me)
Thanks go out to these additional contributors:
Sebastián Adúriz, Stephen Arthur, Klaus Bergmaier, Todd Bernhardt, Philippe Bihan, Fredrik Björklund, Allan Blackman, Patrick Bourcier, Barry Brooks, Jean-Christophe Brouchard, David Brown, Chris Browning, Stephen Bruun, Darryl W. Bullock, Justin Bur, Giancarlo Cairella, James Robert Campbell, Justin Campbell, Pedro Cardoso, Damon Z Cassell, Alberto M. Castagna, Jean-Philippe Cimetière, Chris Clark, William Alan Cohen, Britt Conley, Doug Coster, Al Crawford, Paul Culnane, Ian Dahlberg, Michael Dallin, Gary L Dare, David Datta, Adam Davies, Duane Day, Stefano De Astis, André de Koning, Simon Deane, Marcus Deininger, Tom Demi, Kevin Denley, Chris Dodge, Morgan Dodge, Chris Donnell, Charlie Dontsurf, François Drouin, Jon Drukman, Johan Ekdahl, Charles Eltham, Remco Engels, Stewart Evans, John C Falstaff, Mark Fisher, Peter Fitzpatrick, Martin Fopp, Dave Franson, Mitch Friedman, Martin Fuchs, A. J. Fuller, André Garneau, Greg Gillette, George Gimarc, Giovanni Giusti, David Glazener, Mark Glickman, Mike Godfrey, Marshall Gooch, Ben Gott, John Greaves, Robert Hawes, Jude Hayden, Scott Haefner, Reinhard zur Heiden, Phil Hetherington, Paul Hosken, Toby Howard, Bill Humphries, Johan Huysse, James Isaacs, Naoyuki Isogai, Joe Jarrett, Shane Johns, Owen Keenan, Tom Keekley, Howard Kramer, Augie Krater, Philip Kret, Jacqueline Kroft, Marcus Kuley, Mark LaForge, Kai Lassfolk, Matthew Last, Dom Lawson, Peter E. Lee, Steve Levenstein, Björn Levidow, Christer Liljegren, Thomas R Loden, Holger Löschner, Peter Luetjens, Joe Lynn, Delia M., J. D. Mack, Claudio Maggiora, Emmanuel Marin, Don Marks, Marc Matsumoto, Yoshi Matsumoto, Niels P. Mayer, Scott A. C. McIntyre, Gary Milliken, Derek Miner, Pål Kristian Molin, Martin Monkman, Bill Moxim, Rolf Muckel, Brad Nelson, Lazlo Nibble, Gary Nicholson, Pär Nilsson, Gez Norris, Todd Oberly, Jefferson Ogata, Marc Padovani, Barry Parris, Mike Paulsen, David A. Pearlman, Richard Pedretti-Allen, Joe Perez, Barbara Petersen, Dan Phipps, John J. Pinto, Joe Radespiel, Martin van Rappard, Robert R Reall, Melissa Reaves, Joachim Reinbold, Ola Rinta-Koski, Dougie Robb, Paul Pledge Rodgers, Michael Rose, Jon Rosenberger, Ira Rosenblatt, Shawn Rusaw, Mark Rushton, Egidio Sabbadini, Annie Sattler, Steve Schechter, Timothy M. Schreyer, Erich Sellheim, Steven L. Sheffield, Tetsuya Shimizu, Hisaaki Shintaku, Jim Siedliski, Chris Sine, Dean Skilton, Christopher Slye, Frédéric Solans, Ian C Stewart, Bill Stow, Ken Strayhorn Jr., Mark Strijbos, Jeffrey Thomas, Jon Thomas, Robert C Thurston, Patrick Trudel, Adam Tyner, T P Uschanov, Maurits Verhoeff, Tim "Zastai" Van Holder, Jonas Wårstad, Duncan Watson, Jeff White, Bill Wikstrom, Wes Wilson, Kim E. Williams, David Wood, Paulo X, David Yazbek, Brett Young, Takada Yuichi, Jim Zittel.
Note: This document is available as both a multi-part document (more appropriate for web surfing), and a single document (suitable for printing). A plain text version is also available. A concise XTC discography (more of an overview) is also available. Recent changes to this document are indicated by type, are listed in the Recent Updates section of the Summary, are available in unified diff format, and are also available as an RSS feed.
Understanding Audio-Controlled Electrostimulation Technology
Critics argue that e-stim audio is a form of radical isolation—a technological pacifier that allows people to avoid the messy, unpredictable reality of another human being. "You are falling in love with an algorithm and a waveform," warns Dr. Helena Voss, a sociologist of technology. "The story is designed to please you. The current never has a headache. It never disagrees about dinner. That is not love; that is a personalized stimulus."
Electrodes must never be placed in a way that allows the current to pass through the heart or chest area. Standard safety guidelines dictate keeping stimulation below the waistline to avoid interfering with cardiac rhythms. Additionally, electrodes should never be placed on the neck, throat, or head.
: If engaging in this practice with a partner, have an open discussion about desires, limits, and safety. electro sex stimulation audio files hot
In romantic storylines and relationship practices, audio-based stimulation serves as a tool for deepening intimacy and exploring new sensory frequencies.
: For couples, engaging in this practice together can foster a deeper emotional and physical connection. It encourages communication, trust, and a mutual exploration of desires.
An emerging trend in the adult wellness space blends auditory kink with physical sensation: "The story is designed to please you
Electronic stimulation must never be used in or near water (such as in a bath or shower) due to the extreme risk of uncontrolled electrical conduction. Conclusion
Audio components in these systems serve two primary functions. The first is technical synchronization, where the audio track acts as a digital score for the hardware. The second is psychological immersion, where soundscapes or guided instructions provide a structured context for the session. This dual approach aims to engage both the physical and cognitive senses simultaneously.
Electro-stimulation involves applying controlled, low-voltage electrical currents to specific areas of the body to stimulate nerve endings. This can result in sensations ranging from a light tingle to rhythmic muscle contractions. When used correctly, it is a method for increasing blood flow and sensitivity. That is not love; that is a personalized stimulus
The intersection of technology and sensory stimulation has led to the development of systems that combine audio media with electrostimulation (E-Stim). This technology utilizes electrical signals to interact with the body's nervous system, often synchronized with specific sound frequencies for a multisensory experience. Technical Mechanics of Electrostimulation
No article on electro stimulation and romance would be complete without addressing the elephant in the control room. ESA is powerful. It bypasses cognitive defenses. A well-crafted audio thriller can induce a startle response that feels like a genuine shock. In a romantic context, this raises urgent ethical questions.
By approaching this topic with sensitivity and an open mind, individuals can explore new ways to enhance their sensory experiences and connections.
Long-distance relationships (LDRs) face the ongoing challenge of maintaining physical intimacy. E-stim audio, combined with internet-connected teledildonics, offers a solution.
It is important to use only devices that have been tested and certified by recognized safety bodies (such as UL or CE). Utilizing uncertified equipment or attempting "DIY" modifications to electronics poses a high risk of electrical shock or fire. 2. Physiological Constraints
Go back to Chalkhills.
Revision 5.83s (26 July 2025)