| No. | Title | Length | | :--- | :--- | :--- | | 1 | "My Propeller" | 3:27 | | 2 | "Crying Lightning" | 3:43 | | 3 | "Dangerous Animals" | 3:31 | | 4 | "Secret Door" | 3:43 | | 5 | "Potion Approaching" | 3:32 | | 6 | "Fire and the Thud" (feat. Alison Mosshart) | 3:58 | | 7 | "Cornerstone" | 3:18 | | 8 | "Dance Little Liar" | 4:43 | | 9 | "Pretty Visitors" | 3:41 | | 10 | "The Jeweller's Hands" | 5:42 |
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Pair your setup with open-back studio headphones or high-fidelity bookshelf speakers to experience the vast, desert-born soundstage the band intended.
As the cleanest, most pop-centric track on the record, it acts as a palate cleanser. The FLAC format highlights the warmth of the bass guitar and the clean, pristine delay effects on the lead guitar lines, reminiscent of late 1960s pop rock.
The key to the album's metamorphosis was Josh Homme, the mastermind behind Queens of the Stone Age. Homme was invited to produce after he and his wife encountered the band at a bar following one of his gigs. Homme, a notoriously tough critic, was intrigued. He pushed the Monkeys to slow down, embrace space in their sound, and experiment with psychedelic and desert rock textures. (headphones, studio monitors, DAC
The lead single is a masterclass in dynamic contrast. The verses feature a creeping bassline and a staccato guitar melody, which explode into a dense, distorted chorus. The FLAC format prevents the heavy distortion at the end of the track from clipping or sounding harsh. 3. Dangerous Animals
For years, the prevailing narrative was that Humbug was "lo-fi" or "muddy." This was often an error of the medium. The era of 2009 was the peak of the iPod and the tyranny of the 128kbps or 192kbps MP3. Those formats have a nasty habit of flattening the low end and turning complex high frequencies into metallic static.
: Avoiding the "mediocre mastering" found in some early digital pressings by using high-bitrate lossless files. Album Tracklist (Standard Version) My Propeller Crying Lightning Dangerous Animals Secret Door Potion Approaching Fire and the Thud Cornerstone Dance Little Liar Pretty Visitors The Jeweller's Hands As the cleanest, most pop-centric track on the
Humbug was recorded in Joshua Tree, California, and Brooklyn, New York. The influence of producer Josh Homme is evident throughout the album, pushing the band toward a sound that was, at the time, polarizing to some fans but lauded by critics for its maturity. Key Tracks Benefiting from High-Resolution Audio:
that would eventually become a signature of the band's later work. Technical Depth
Humbug (2009) – FLAC | 16-bit/44.1kHz | Source: Original CD rip (EAC secure mode) or 2026 tape-sourced FLAC | DR score: 12 | Highlights: Crying Lightning, Cornerstone, The Jeweller’s Hands
While Homme co-produced the majority of the record with James Ford, the engineering was handled by Alain Johannes, who worked on all tracks. The result was an album that critics noted was "shot through with a psychedelic heaviness unseen before on an Arctic Monkeys album".