F -> G -> Em -> Am -> Dm -> G -> C (then shifting back via E7)
The pre-chorus lifts the energy of the song, shifting away from the heavy minor chords toward a more forward-moving, driving rhythm. Am | D | G | Em Am | A7 | D | D7
Utilize lush or sus4 extensions during the transition bars between the chorus and the second verse to emulate the synthesiser pads used in Fang Ji Wei's original studio recording. Why this Chord Work Remains Popular
Mastering "Ai Ching Te Ku Se" Chord Work: A Guide to Its Melancholic Harmony ai ching te ku se chord work
Focus on the distinctive "Not Balok" (numbered musical notation) often used in Asian sheet music for this track, which highlights the pentatonic-leaning melody.
The chorus lifts the energy by adding a bit more movement:
A classic movement that signifies a shift from hope to reflection. C Major: Brightens the melody temporarily. F -> G -> Em -> Am ->
The chord work of "Ai Ching Te Ku Se" is highly regarded by music educators because it teaches the balance between relative major and minor scales. It demonstrates how a song can weave seamlessly between the bright characteristics of a C Major scale and the deep, introspective qualities of an A Minor scale without sounding jarring or disconnected.
The song is traditionally a ballad, but a modern feature could include:
Before diving into the specific chord work, it is essential to understand the musical framework of the song to make transposing and playing easier. The chorus lifts the energy by adding a
Few songs capture the bittersweet essence of romance quite like the Mandopop classic . Originally made famous by iconic voices like Fang Jiwei in the late 1980s and early 1990s, this nostalgic masterpiece continues to be covered by modern artists and bedroom musicians alike.
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later. Ai Qing de Gu Shi - Fang Ji Wei (Not Balok) | PDF - Scribd
Bridge: Vc/B - G7 - Cmaj7 - Am7
Some guitarists prefer to play without a capo and simply barre the chords in the original key. If you have strong barre‑chord technique, that is a great way to build hand strength.
Do you need a to match a specific singer's voice?
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